Find composition details, parts / movement information and albums that contain performances of Sequenza III, for voice on AllMusic. Luciano Berio. Sequenza . Sequenza III (author’s note). Sequenza III for voice (). The voice carries always an excess of connotations, whatever it is doing. From the grossest of noises. Berio described Sequenza III as being a 3 part invention built on elements of text, performance would be different, the directions on the score are very precise.
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In brrio to control such a wide range of vocal behaviour, I felt I had to break up the text in an apparently devastating way, so as to be able to recuperate fragments from it on different expressive planes, and to reshape them into units that were not discursive but musical. Sexy Trippy All Moods. Romantic Evening Sex All Themes.
Sequenza III (author’s note) | Centro Studi Luciano Berio – Luciano Berio’s Official Website
One of Luciano Berio’s most fruitful sources of inspiration was his long collaboration with soprano Cathy Berberian – 83who was the composer’s wife as well as a primary exponent of his work throughout the s. Inspired by Berberian’s extraordinary vocal prowess, Berio set out in Sequenza III to create a catalog of vocal gestures that encompassed the gamut of effects and techniques. From the grossest of noises to the most delicate of singing, the voice always means something, always refers beyond itself and creates a huge range of associations.
The text had to be homogeneous, in order to lend itself to a project that consisted essentially of exorcising the excessive connotations and composing them into musical units.
The voice carries always an excess of connotations, whatever it is doing. Il contenuto di questa pagina richiede una nuova versione di Adobe Flash Player.
Luciano Berio: Sequenza III
Give me a few words for a woman to sing a truth allowing us to build a house scord worrying before night comes. In Memoriam Cathy Berberian. Rainy Day Relaxation Road Trip.
Drinking Hanging Out In Love. Although Berio and Berberian divorced in the mids, their musical berik continued into the s.
Sequenza III is a piece very much of its era, paralleling other experiments in vocal music and textual meaning such as Cage ‘s Aria and Ligeti ‘s Aventures Streams Videos All Posts.
Sequenza III (author’s note)
Sequenza III variously requires the performer to mutter under the breath, laugh, and sing in the conventional manner. Nel labirinto della voce.
In Sequenza III I tried to assimilate many aspects of everyday vocal life, including trivial ones, without losing intermediate levels or indeed normal singing. Songs for Seven Centuries. The “text” consists of vocatives of little semantic value by Markus Kutter; meaning instead emerges via the soprano’s evocation of particular expressive formulas: For this reason Sequenza III can also be considered as a dramatic essay whose story, so to speak, is the relationship between the soloist and her own voice Sequenza III was written in for Cathy Berberian.
Karlheinz Stockhausen, Luciano Berio. The Great Works for Voice.